
Which two male characters from David Lynch’s
<--*hint.

Which two male characters from David Lynch’s
<--*hint.
"There was something so valuable about what happened when one became a mother. For me it was the most liberating thing that ever happened to me. . . . Liberating because the demands that children make are not the demands of a normal ‘other.’ The children’s demands on me were things that nobody ever asked me to do. To be a good manager. To have a sense of humor. To deliver something that somebody could use. And they were not interested in all the things that other people were interested in, like what I was wearing or if I were sensual. . . . Somehow all of the baggage that I had accumulated as a person about what was valuable just fell away. I could not only be me -– whatever that was -– but somebody actually needed me to be that.
It's taken me a while to write about last week's patient. Sometimes, separating the sheer gravity of what it is to be human from the what we carry with us is nearly impossible. But this I have come to understand and to rationalize: there is a lot of tragedy in the world, people die needless and senseless deaths every day. There is horrible suffering. What I have yet to process is how people carry on.
We spent the other night watching some of The Olympics with The Kid. Archery, table tennis, track and field, BMX racing, and a little synchronized swimming. "Boys don't do this sport, do they?" he asked. Then, thoughtfully, "I don't mean it as an insult...I think it's just because girls are more agreeable." ? ? ?
A young patient was admitted to our floor today with hepatic dysfunction. A liver transplant recipient who has had some bouts of rejection, his medical team determined that he will need to be re-transplanted. When asked if he'd noticed anything in particular that may have caused his latest symptoms, he simply reported, "A couple of weeks ago my buddy hugged me real hard and ever since then I've had this terrible pain in my side."

The Kid told me last night as we were about to read a bedtime story: "Mama, when I grow up I want to be a murse."
Thanks to one MEPN's persistence we made it onto the flying trapeze today; a first for me. Props to the *fantastic* guys who run the program: Scott, our main man, Jiggy Jives and Leo the magnificent. Leo was the catcher for those of us who made it that far (nope, not me) meaning he has both strength and impeccable timing. In fact, all of the trapeze folks seem to have an amazing eye for detail. Watching them work and listening to the feedback given to both novice and advanced fliers is itself worth a visit.
Discharging a patient, recently intubated due to the most severe asthma I have ever seen, I asked, "Have you called for transport."
Upon notification that he'd have to have a straight catheter, today's patient announced to his sister and elderly parents, "Sorry, you guys are gonna have to leave. I have two beautiful women in the room who want to play with my winkie."
So, I don't want to say too much about cultural competence as it's taught in health care classes here because I'm liable to get myself into trouble, but, man, there are times when I miss the reflexive thinking and dialogue of anthropologists and sociologists.
It's interesting to note that over the years I've developed a distinct preference for a very specific vocal style. Listen to Derroll Adams, certain numbers of the Harry Smith collection, and, you guessed it, Will Oldham, and a common sound emerges. And I don't think it's as simple as lumping them all into the Appalachian influence genre, as one is wont to do.
don't really believe this whole circus shtick of mine. Frankly, since nursing school started I
don't really believe it anymore either. Well, there's photographic evidence. (I know, I know -- I'm faceless. But there is
HIPAA to contend with here, so enough already.)

Most close friends, loved ones, understand my fascination with death and dying. Well, maybe they don't understand, per se, but they are accepting of it. It's the Norse blood, some say.